In Honor of Her Extraordinary Works of Art and Contributions to Advancing the Status of Women Artists
A Brief Introduction: It is an honor to present Lori Horowitz with this Special Recognition Art Award selected from the artists in our “HerStory” 2026 exhibition. She is a widely acclaimed artist and artist advocate and her contributions to the world of contemporary art are immeasurable. She serves as a shining role model for all of us.
As an artist Lori masterfully expresses the human condition and applies her innovative artistic prowess in many mediums. Since 2016, Lori has had 13 solo exhibitions and has participated in over 85 national gallery and museum group shows. She is represented in galleries worldwide and has been featured in numerous publications.
In this interview you will view some of her extraordinary works of art. Lori shares tremendous insight, inspiration, and some of her many accomplishments.
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In addition to her studio art, Lori has worked as an arts educator, scenic designer, scenic artist for film, theater and television, and as a curator and gallerist. She is currently President of the New York Society of Women Artists. She is also the Exhibition Chair of Long Island Craft Guild. She founded the not-for-profit ArtSpace and as the director and independent curator, she produced 25 shows and continues curating independently.
At the end of this interview, you will find the link to Lori’s website which I encourage you to visit, view more of her art, learn about her many career achievements, and find out how to purchase her art.
Lori’s sculpture “Sitting in the Shadows”, aluminum black wire mesh and shadow, 36″ x 24″ x 24″, shown here, was selected for the Manhattan Arts International “HerStory” 2026 juried exhibition.
As part of her statement when she submitted the work Lori wrote: “Sitting in the Shadows was inspired by the social impact of recent global events, including quarantine and economic and political displacement. The work focuses on how isolation affects people’s sense of home, identity, and community, with particular attention to how women often experience these pressures through caregiving roles, safety concerns, and reduced visibility.”
Interview with Lori Horowitz
RP: What do you love most about being an artist?
LH: It is a true gift to capture and translate the world and the events around me into visual language that can be shared with others. I find deep satisfaction in creating imagery that sparks dialogue, encourages people to share their own stories, and inspires empathy, emotion, and greater consciousness. My passion also lies in the ongoing exploration of materials, textures, and techniques, each discovery shaping the evolution of my artistic voice and expanding the possibilities of how I express ideas, experiences, and human connection through my work.
RP: What reaction would you like viewers of your art to have?
LH: : The simple answer is that I want my work to provoke a reaction. I want viewers to truly see, feel, and connect with the imagery rather than dismiss it or pass by without engagement. My intention is not simply to create something decorative or conventionally beautiful, but to spark an emotional and intellectual response that resonates on a deeper level. I want the work to inspire curiosity, prompting viewers to question why and how it was created, while encouraging reflection, inquiry, and a more personal connection to the ideas and emotions within it.
Corrosion of Society, mixed-media relief sculpture: Sculpted photo, aluminum, brass, patinated copper, stone plant, tree bark, and gauze, 54″ x 24″ x 12″
RP: You have earned many well-deserved accolades and awards. What has been the most important achievement in your art career and why?
LH: Each milestone in my career has had tremendous significance as a step forward in my ongoing creative development. Early on, while working in film, television, and theater, qualifying for membership in the United Scenic Artists Union marked an important professional accomplishment. Years later, creating and directing a thriving nonprofit art space became another defining achievement. Today, serving as president of the New York Society of Women Artists and helping lead sixty accomplished women artists into the next century represents both an honor and a deeply meaningful responsibility.
RP: Having received praise in numerous art publications what is a favorite commentary about your art you would like to share and by whom?
LH: Kim Powers, Curator wrote: “Created during 2020 in the year of Covid: Sculptures of wire mesh and gauze reveal figures whose existence is precarious. The delicate nature of humanity is portrayed through these ephemeral forms, creating haunting shadows as important as the physical beings. Capturing body language, gesture and expression and how they relate to emotion and character, are reflective of the human condition exposed in these works.”
“Hidden In Sight”, mixed-media relief: aluminum sculpted photo, fabric, paper, wood, fiber and encaustic wax, 54″ x 28″ x 16″
RP: What are a few of the many major projects/exhibitions that you have planned for the remainder of 2026?
LH: Current exhibitions through fall 2026: Just Powers: Long Island Biennial 2026 at the Heckscher Museum of Art (through 9/13); We the People at Raynham Hall Museum (through 8/30); and Reflections on Progress: Courting Challenges at P. Sifton Gallery (through 9/30, Artist Talk 7/16). Upcoming: Deconstructing Venus (Hofstra Museum, 9/8–12/11); Fine Craft (St. Joseph’s University, 9/9–10/22); Principle Materials (MORA Museum, 10/2–11/6); The Art of Assembly (Nimbus Arts Center, 10/16–11/22); ATOA panel 11/9; ROOM publication June 2026.
Left Hanging, patinated sculpted copper wire mesh, with shadow, 60″ x 28″ x 6″
RP: As President of NYSWA, what do you consider to be the organization’s most important contribution to gender equality?
LH: Our most important contribution is the continued commitment to giving voice and visibility to women artists while remaining vigilant in the ongoing struggle for equality and representation.
As the New York Society of Women Artists enters its next century, it carries forward the spirit of its pioneering founders by supporting diverse artistic perspectives and championing social awareness through art. By exhibiting powerful work in public spaces, museums, galleries, and cultural institutions, we preserve the legacy of past generations while inspiring dialogue, cultural progress, and opportunities for future women artists.
Shrouded, aluminum wire, spun copper, woven and sewn copper wire, 20 ” x 20″ x 20″
RP: What can we expect from NYSWA in the future?
LH: Strengthening our membership remains a primary goal by inviting talented, passionate, and like-minded artists who share our mission and vision. We aspire to increase visibility and recognition for our contributions to the arts while fostering artistic growth and excellence among our members.
Our future goals include expanding outreach to national women’s museums, establishing scholarship opportunities, securing grants, and eventually creating a residency program. We are equally committed to teaching, mentoring, and sharing our expertise with a new generation of women artists while embracing emerging forms of visual media within our membership.
Drawn to Danger, mixed-media relief, sculpted photo, aluminum, and wood, 72″ x 24″ x 48″
RP: What are some ways we can all help and support NYSWA?
LH: Our continued longevity depends upon gaining greater recognition from critics, supporters, museums, and historians who value the contributions of women artists. In the coming years, we hope to secure stronger financial support through benefactors, sponsorships, and grants that will help us achieve our expanding goals and programs.
Beyond financial assistance, continued support through sharing our message, promoting articles and press coverage, and attending exhibitions, lectures, and art talks is equally important in strengthening awareness, visibility, and appreciation for the mission of the New York Society of Women Artists.
RP: What advice would you like to offer fellow women artists?
LH: Create work that challenges you and avoid becoming too comfortable with your process or message Complacency can lead to stagnation and the more you push yourself, the more you grow creatively and technically. Mastering new materials, tools, and techniques strengthens your ability to communicate your vision with clarity and originality. Develop your own voice rather than relying on appropriation or imitation. Learn to take initiative and solve problems independently.
Most importantly, share knowledge, support one another, and build community. We are stronger as a united force than as individual artists.
RP: Why did you submit your art to “HerStory” 2026?
LH: As president of the New York Society of Women Artists, I am deeply aware of the challenges women artists continue to face. I have participated in many women-supported exhibitions and remain actively engaged with organizations that share similar missions and values.
I have followed the work of Renee Phillips for several years. A respected colleague and talented artist who has been involved with the Manhattan Arts International, highly endorsed the work of Renee Phillips, and encouraged me to submit my artwork to the exhibition. Renee has been exceptionally supportive and gracious, and I hope to continue building a strong and meaningful relationship with Manhattan Arts International.
Thank you Lori! It is a huge honor to know you and to give you this well-deserved Special Recognition Art Award. I appreciate the time you took out of your very busy schedule to answer the questions in this interview. I look forward to sharing many future collaborations with you to advance the status of women artists. ~ Renee Phillips
Visit Lori Horowitz’s Website: lorihorowitz.com
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